It seemed like there was more of an effort to know where Shanae was and more help was provided for her then for Megan. Unfortunately, this meant that she had no time to supervise and spend most time with Shanae. Scholarship about the film has focused on its negative representation of girls' friendships, sexuality, and desire for power. . This presumption is damaging because ultimately Garbus makes uncomplicated subjects of the girls. The new documentary "Girlhood" isn't a horror movie, but there isn't another movie this year that chills the blood as quickly as the brief exchange caught on camera between a 15-year-old girl. Megan Jensen had a difficult childhood. This fact, combined with the lack of familial support that Megan got, certainly contributed to her continuing to run away from foster homes. In the second segment, she runs away from foster homes to try to live with her mother. http://sites.google.com/view/ehdwjwbxfu/linkedlist-member-modification-c, Your email address will not be published. Once Shanae begins to face the reality of what she did, she is transferred to a group home and begins to flourish. Shanae and Megans story has reached a large audience and even caught the attention of talk show host Oprah Winfrey, however, many are critical of its overambitious attempts and lack of direction. When Girlhood opens, Shanae (we never learn her last name) is serving time in the all-girls unit at the Thomas J.S. By end fil Megan's mother was a drug-addled prostitute, and after being placed in, and escaping from, nearly a dozen foster homes, Megan committed a violent crime. We also met Megan, who, unlike Shanae, was not at the . Megan, a pretty girl with a devilish gleam in her eye, tries to get by on charm, but she doesn't have Shanae's focus. Her emotional responses are not well adjusted. Privacy Policy, Download this Essay in word format (.docx), Juvenile Detention Alternatives Initiative, Juvenile Detention and Corrections Standards, New Juvenile Detention Center, if Given Unlimited, Girlhood Juvenile Delinquents Shanae Megan Waxter Juvenile Essay. Both girls are likable, smart young women struggling to overcome traumatic backgrounds. Follows two female inmates - victims of horrific violence and tragedy - who are serving time in a Maryland juvenile detention center. Wake up to the day's most important news. Shanae, after much perseverance, overcoming her appalling behaviours and graduate from high school. associated with girlhood. In American history, the history of juvenile corrections begins in, And since those who are forced into detention are disproportionately African-American, the problems caused by the detention of juveniles is particularly acute in the African-American community. Part of HuffPost News. Even though she has been through the trauma of murdering another girl, it seems like the rape ordeal was the first trauma that led to the myriad of deviant behavior (Garbus, 2003). SOCIAL PSYCHOLOGY: GIRLHOOD MOVIE REVIEW. Just last week Waxter made headline news in Maryland after having been labeled by one childrens rights advocate as a house of horrors. At Waxter, girls like Shanae who have been sentenced for crimes, girls who would make mincemeat of the fillies in Thirteen, are placed alongside those who, as one news story put it, have not been found guilty of anything yet. Except, perhaps, being born poor and grievously disadvantaged. The film is also said to be informative regarding the significance of the relationship between mothers and daughters. Head of production Julie Gaither. Hanna has won numerous writing awards. "I was really, really, really confused at the time," Megan says. Additionally, the film has been criticized for having the drama move the film along. Garbus, director of the acclaimed prison documentary, The Farm: Angola, USA, examines the disparate fates of these girls and their very different treatment at the hands of the juvenile justice system. Abandoned by her mother, a heroin addict turned prostitute, Megan ran away from then different foster homes before being arrested on assault charges. [ClickEssay Writerto order your essay]. Mary Celeste Kearney writes that in approaching girlhood, sociological research, interestingly, often focused on female juvenile delinquency. In recent years, however, Girlhood Studies has grown to include and account for multiple narratives of girlhood, and actively attempts not to make girlhood inferior to womanhood, or take it less seriously. Her mother was largely able to chart Shanae's problem for the duration of the movie, because she cared about her and wanted to see her do better. Editor Mary Manhardt. Is it maternal nurturing that makes the difference? This leads to her eventual rehabilitation from delinquency. Other aspects reveal themselves when she grows older. Her future appears shaky. You get a sense of just how complicated when Shanae finally cops to her guilt. (Watkins stabbed a girl to death in a street fight.) Girls like Shanae and the films other principal subject, Megan, a disarmingly appealing teenager who, bounced from one foster home to another (11 total), landed in Waxter after slicing open another girl with a box cutter. The films protagonists, Megan Jensen and Shanae Watkins. She angrily lashes out at the girl, but shows no remorse when she finds out that she died. Volatile, articulate and desperately needy, Megan seethes with bitterness at having been abandoned by her mother, Vernessa, a heroin addict and prostitute, who has spent many years in prison. The third is her reluctance to become close with others. In an interview with NPR, the films director, Liz Garbus, admits that Girlhood was originally a documentary about incarcerated boys, but the girls stories were more interesting to her. Not Hollywood, not L.A., not the country, At 19, he won a local school board seat. On the other hand, Girl Hood creates an uncomfortable comparison between Shanae and Megan and their relationship with their mothers. "I am halfway through my Associates in Arts degree. At 14, she was hit by a stray bullet during a gunfight. The majority of her life, her mother was either on the streets giving into her drug addiction or incarcerated for prostitution charges. In the documentary, she is always trying to contact either the mother or the grandmother. Megan had given up, and even ended up back in jail. Just check our reviews! Throughout the film, we are sympathetic to the challenges of Shanae and Megans girlhoods, but cannot substantively grasp, through the documentary, the unresolved nature of their status, as girls in a system that seeks to destroy not just girlhood, but life beyond girlhood too. Follows two female inmates - victims of horrific violence and tragedy - who are serving time in a Maryland juvenile detention center. She gave birth to a daughter and moved to North Carolina in an effort to start anew. Developmental Psychology: Childhood & Adolescence: Childhood and Adolescence. Sign in to rate and Watchlist for personalized recommendations. http://www.latimes.com/archives/la-xpm-2003-nov-14-et-girlhood14-story.html The impulse to end on an up note, to turn complex and contradictory lives into palatable narratives, is one of the least-examined pitfalls in nonfiction filmmaking. This documentary does look at the intersections of various identities and even struggles, but it fails to count them as essential facets of girlhood for Shanae and Megan. Girlhood isnt about an abstraction like the wrongs of the state penal system -- indeed there is very little about how Waxter works (or doesnt) day to day -- its about two very real and complicated kids, each of whom could fill up hours of screen time. data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAAKAAAAB4CAYAAAB1ovlvAAAAAXNSR0IArs4c6QAAAw5JREFUeF7t181pWwEUhNFnF+MK1IjXrsJtWVu7HbsNa6VAICGb/EwYPCCOtrrci8774KG76 . Growing up, Megan had shuffled through 11 different foster homes, running away from all but one of them. The film then narrows its focus to concentrate on the lives of two teenagers, Shanae Owens and Megan Jensen, both incarcerated for assault at the Waxter Juvenile Facility in Baltimore. After Megan and her mother have falling out and are no longer speaking, the film again shifts focus to Shanae, who has now just lost her mother to heart failure. For example, the filmmaker emphasizes Shanaes growth since leaving Waxter. Running time: 1 hour, 28 minutes. 1103 Words. Unlike Megan, who ends up bitter, Shanae has a positive outlook that things will become better. The documentary Girlhood offers an insight on the emotional, psychological, and social reasoning behind the girl's actions. http://www.rottentomatoes.com/m/girlhood airs Sundays at 9 p.m. There are a couple of different things I would attempt to implement if I were the director of the Waxter Juvenile Facility to make the program more efficacious for juveniles sent there for reform. At the beginning of the documentary, Shanae and Megan are 14 and 16, serving time for murder and assault, respectively. The documentary Girlhood follows the lives of two girls, Shanae and Megan, from 1999-2002, during and shortly after their release from Waxter Juvenile Facility in Maryland. Open Document. Shanae had a substantially greater amount of support than Megan did. Liz Garbus's hard-headed documentary film ''Girlhood'' is prefaced with an unsettling statistic: in the last decade the number of violent assaults by under-age girls in this country has doubled. However, after the collective effort from her mother and rehabilitation officers, she becomes emotionally expressive. This documentary follows these two bright but troubled young girls at the Waxter Juvenile Facility in Baltimore as they struggle their way toward redemption and understanding. The relationship between staff and the young girls is also essential to how the girls grow and move forward with their lives. Copyright 2023 . Our managing editor an award-winning journalist has spent the past 7 years refining our roster. "I just lost all respect for myself," she says. Garbus most recently directed What Happened, Miss Simone?, a Netflix doc about the life and music of Nina Simone. ''Girlhood,'' which follows Shanae and Megan over three years beginning in 1999, doesn't pretend that a place like Waxter can hope to do the job by itself. As to be expected, the revelations are often heartbreaking, at times infuriating, but because the film runs a total of 88 minutes theyre also manifestly unenlightening. Because the film does not incorporate the juvenile system that fails Megan and others like her, the focus of the film becomes on the distinction between mothers who neglect their children and mothers who do not. http://articles.latimes.com/2003/nov/14/entertainment/et-girlhood14, http://www.npr.org/templates/story/story.php?storyId=1514431. Shanae, an African-American who has been at Waxter for two years when the film begins, was sent there after stabbing a girl to death in a knife fight. Age discrimination, How to have the best Sunday in L.A., according to Rainn Wilson, Review: Thoughtful whimsy animates Haruki Murakami adaptation Blind Willow, Sleeping Woman, An earthquake made Makoto Shinkai a disaster artist. Additionally, she still struggles after growing up, but she ensures that she never becomes an addict (Garbus, 2003). [Write my essay for me? Get help here.]. 5 Pages. Web.18 April. How A Violent Teen Who Had Given Up On Life Turned It All Around. Second, she is distressed when her mother leaves. Even though her mother has a problem with drugs and prostitution, she is distressed when she does not receive visits or calls from her. Then, she brutally stabbed another girl with a box cutter and ended up in juvenile home for some of the most violent young offenders in the country. She gets her place to live. As the documentary end, it is clear that Megan is afraid to trust others. The field of Girlhood Studies continues to grow and perhaps offers guidance in understanding where Garbus erred. The domain that best explains Megans attachment issues is the ambivalent/resistant attachment. With discussions of girls in Virginia Woolf, Simone de Beauvoir, Alice Walker, and Sapphire, I show how these influential feminist authors demonstrate an intense yet anxious preoccupation specifically with girlhood subjectivity as its own identity category, and with girlhood sexuality as a site for devising textuality. Follows two female inmates - victims of horrific violence and tragedy - who are serving time in a Maryland juvenile detention center. "I started using cocaine, I was strung out on drugs -- bad. References However, Garbus suggests that this is due to the lack of adequate recreational activities in Waxter (Garbus, 2003). Megan also shows that she has self-efficacy. She stays briefly at another foster home before running away to live with friends and eventually by herself in the treacherous East Baltimore neighborhood where she got into trouble. teaching psychology courses. First, she has goals and aspirations. Movies about murdered prostitutes and serial killers who prey on women are so ubiquitous as to be banal, and perhaps not even shockingly these stories tend to be about the cops or lawyers investigating the crimes to which they have fallen victim, and not about the women themselves. Parents need to know that the French movie Girlhood is a bleak but affecting look at life in the housing projects outside Paris, where young people have few options and little chance to improve their lives. Megan, however, was virtually abandoned by her mother and received little support from the rest of the family. Girl Hood was released in 2003 and since then has won many awards. Megan, the more unruly of the two is a little older than Shanae. Although large chunks of time seem to pass by unrecorded, the pairs personalities emerge through numbingly familiar stories of sexual assault, abandonment and substance abuse. Third, Shanae becomes emotionally expressive. Girl Hood has been praised for its informative content and for raising awareness on a number of issues young people in detention centers face on a daily basis and how their lives lead to a life similar to their parents. Identification A wild, tough-talking girl of mixed race who has run away from 10 foster homes, she was incarcerated for attacking another foster child with a box cutter. While Shanae sublimates her anger and hurt and moves on with life, for Megan everything is right on the surface. As a subscriber, you have 10 gift articles to give each month. Both Megan and Shenae's interactions with their 2 Garbus explains that she encountered the contradictions of Shanae and Megans girlhoods early on; she mentions that she was struck by [Shanaes] little girl-ness, her innocence, but this was complicated by what she learned about the violence of her crime. That is to say, Garbus sees crime and girlhood as opposite experiences. In the end, it seems the title Girlhood is both revealing and a misnomer: this film is about the liminal space of girlhoods colored by destabilizing events in their lives (and the larger systems and circumstances dictated by a society that easily discards the humanity of girls, people of color, queer people, differently abled people and poor people). Or do some simply have the psychological equipment to move on while others don't? Not surprisingly, by the end of the documentary she is living alone in Baltimore while Shanae was living with her family and doing well in high school while preparing to attend a junior college. Original music Theodore Shapiro. She's the sweetheart of the Waxter facility, even if. Her mother was largely able to chart Shanae's problem for the duration of the movie, because she cared about her and wanted to see her do better. The hard cases penned up here are girls whose youth, bright smiles and flashes of irritation at being kept under lock and key belie their grim, violent histories. Waxter Childrens Center in Laurel, Md., some 20 miles from Baltimore. Shanae and Megan both experienced similar circumstances that yielded different outcomes. At paperdue.com, we provide students the tools they need to streamline their studying, researching, and writing tasks. In Garbus film, Shanae and Megans girlhood set up a dichotomy: girlhood is good, everything else threatening, extraneous and intrusive, instead of part of the story of girlhood itself. Assignment #2 In class we viewed documentary titled Girlhood, the film surrounded two teenage girls named Megan and Shanae. However, it is also noteworthy that Megan is two years older than Shanae. Megan, the more unruly of the two is a little older than Shanae. ET on OWN. Documentary chronicling America's justice system. This confused young girl ran away from ten foster homes and wound up attacking another . [Need anessay writing service? She portrays this by her apprehensive response that she gives to her parent. Megan grew up without the love and support of her mother who was in prison for drugs and prostitution. But its staff emerges as a caring if overstressed group of people who do what they can to steer the girls in their charge toward a productive life. However, her mother is a struggling drug addict who is unable to offer the care and support that she required. It indicates that she is wary of strangers (Garbus, 2003). 2023. So she held his hand, Review: Beau Is Afraid is quite an odyssey, but not necessarily an oughta-see. Similarly, she seems to suffer from ambivalent attachment because she is always distressed when she is unable to receive affirmations from her mother. It first examines the main purpose, and location of the facility, and then turns to how the facility would deal with resident problems with socialization, education, and correctional components. Shanae and Megan are both magnetic characters, and their story is as relevant as it is inspiring. As for the staff of the Waxter, they were awesome. Your email address will not be published. The effects of detention have been researched and discovered to be detrimental to the safety and mental health of the juvenile, as well as increase the chance of recidivism. These girls are the subjects of Liz Garbus' documentary, Girlhood. MPAA rating: Unrated. One characteristic of resilience that Megan portrays is her perseverance. The primary objective of the film is an exploration into the social implications for the increase of crime committed by young women such as Shanae and Megan. She Alba Sotorra is an independent filmmaker and producer based in Barcelona. New York: Psychology Press. The subject of their research lies in the standards of juvenile detention centers and facilities. The girls tragic relationships with their mothers, their struggles with sexuality, their experiences with rape and sexual assault, drug use and poverty have shaped their lives in and out of jail. Footage of the two girls is then followed along with more title cards that give insight into the crimes they have committed. Having been abandoned by her mother, with whom she has a very complicated relationship, Megan is desperate for attention and affection. Our company is proud to host more than 80 of North Americas best essay writers. One perspective on the film Girl Hood is that it is a highly informative documentary film in which the director does a spectacular job revealing to the world the issues young women such as Megan and Shanae face on a daily basis. Shanae, however, simply had to acknowledge her culpability in the murder of a friend before being able to effect a significant change in the direction of her life. "Girlhood Juvenile Delinquents Shanae Megan Waxter Juvenile" (2013, November 14) Retrieved April 18, 2023, from https://www.paperdue.com/essay/girlhood-juvenile-delinquents-shanae-megan-127185, "Girlhood Juvenile Delinquents Shanae Megan Waxter Juvenile" 14 November 2013. At twelve years old Shanae was involved in a fight that ended with Shanae stabbing and killing a young girl. The article by Livers & Kehoe (2012) is quite contemporary and that is one of the main themes of the article. The girls crimes obviously color their experiences of girlhood, but they are humanized by Garbus editorial choices through camera angles, the stories we hear, the presentation of various sympathetic or irresponsible adults that accessorize and control the girls lives. Here are 22 essential L.A. spots for every tourist, Column: We cant afford another writers strike. The title of the film is overly simple and, to an extent, revealing in its simplicity. The film was shown at 30 festivals around the world and won over a dozen prizes. Megan was shuffled through 11 different foster homes, running away from all except one. ''Girlhood, which was shot in 16 millimeter, is a bare-bones affair, as spare as the juvenile institution in which much of it was filmed. Once Shanae begins to face the reality of what she did, she is transferred to a group home and begins to flourish. In the lower security facility interview, Shanae reveals that five men gang-raped her when she was young. Your email address will not be published. As she grows up, she realizes that she cannot rely on anyone and starts to take better care or herself. murdering another girl after the two got into an argument. She had lived in an environment that was full of disruption. http://www.nytimes.com/2003/10/29/movies/film-review-documentary-illuminates-young-lives-crossroads-redemption.html Privacy Policy. As a child, her mother was absent. If the movie suggests that a strong mother-daughter bond is the key to a successful rehabilitation, it is too intelligent to belabor that notion. Theres no denying the seduction and importance of a lot of this work, but sometimes it isnt enough to turn a camera on other peoples catastrophes. This film is not rated. 2 Working within the filmic fairy tale adaptation cycle that emerged between 2005 and 2015, this thesis investigates how girlhood is cinematically constructed through the lens of All Rights Reserved. Directed by Liz Garbus; director of photography, Tony Hardmon; edited by Mary Manhardt; music by Theodore Shapiro; produced by Ms. Garbus and Rory Kennedy; released by Wellspring. New York: Psychology Press. ABSTRACT The teen horror film The Craft (1996) has remained a cult classic with girl audiences for two decades. For example, once the girls are out of Waxter, we see Shanae is doing well in school and even goes to her prom. With these questions in mind, I use feminist textual analysis to examine three filmsNausica of the Valley of the Wind (1984), Kiki's Delivery Service (1989), and Princess Mononoke (1997)by acclaimed Japanese animator Hayao Miyazaki in which girl characters and girlhood play prominently into the film's construction as a whole. Girlhood Movie Analysis. She does become bitter in her adult life, but she is self-efficient. Press ESC to cancel. Photography Tony Hardmon. While taking the country, Following an investigations there were findings that certain violations were evident and specifically those relating to failure to protect confined juveniles from harm; failure to address incidences of youth violence due to inadequate supervision; failure to protect juveniles confined from participation in sexual activity; and excessive use of physical force, among other serious violations all clearly in violation of professional standards and conduct. Shanaes development has been disrupted. Instead it resembles one of those depressingly familiar, underfunded and understaffed holding pens for social throwaways -- in other words, it looks as much like an inner-city high school as a correctional institution. At the beginning of the documentary, Shanae and Megan are 14 and 16, serving time for murder and assault, respectively. Its easy to see what attracted Garbus to Shanae and Megan and why, after spending three on-and-off years with them, she would want to hang a proverbial silver lining on their stories. The most salient factor in Megan's reversal of fortune however was the tireless work that her mother did to ensure that her daughter became an upstanding individual. Having been abandoned by her mother, with whom she has a very complicated relationship, Megan is desperate for attention and affection. Ecological Framework AFI DOCS, a documentary fest in the Laura Bari made her full-length debut with Antoine, a documentary about the imaginary life of a blind boy. We were introduced to Shanae, a young girl, convicted of murder. Director Liz Garbus See production, box office & company info Search on Amazon search for Blu-ray and DVD Add to Watchlist Added by 1.8K users "Oprah: Where Are They Now?" We wont be able to verify your ticket today, but its great to know for the future. All the same, Marieme (Karidja Tour) goes through nearly as many shifts in appearance and identity as Boyhood's Mason. Newsletters are sent on Fridays at noon EST. Confronted with her crime, Shanae is strangely detached and has little memory of the incident. Follows two female inmates - victims of horrific violence and tragedy - who are serving time in a Maryland juvenile detention center.Documentary chronicling America's justice system. Shanae fatally stabbed the girl in the neck with a kitchen knife. Abruptly, she halted the conversation. "I decided to change some of my ways because I didn't want the system raising my child," she says. The film follows them from 1999 through the year 2002. Both girls ended up in the Waxter Juvenile Facility, home to Maryland's most violent offenders.Academy Award nominated director Liz Garbus follows Shanae and Megan for the next three years, as they try to make a life for themselves both inside and outside of Baltimore's juvenile justice system. That is not to say that traumatic experience, crime or drug abuse are good, but that in these stories they exist and persist, even when the girls triumph and go to prom or spend time with family. Girl Hood Winner of the audience award for documentary at 2003 SXSW Film Festival, Liz Garbus' "Girl Hood" is a grim but engrossing look at lives of two troubled teens who must convince . 4 Pages. Megan, however, never received such support from her mother, or from the rest of her family. The disrupted attachment led to a paradoxical relationship with the caregivers in Waxter (Shaffer & Kipp, 2010). Shanae had to go to a lower security facility before her mother was convinced that she was rehabilitated. Follows two female inmates - victims of horrific violence and tragedy - who are serving time in a Maryland juvenile detention center. girlhood documentary "Girl Hood" is a documentary film directed and produced by Liz Garbus that follows two teenage girls, Shanae and Megan, over the span of three years, from the time they are in the all-girls juvenile detention center at Thomas J.S Waxter Children's Center in Laurel, Maryland, to when they are out in the real world. The girls have traumatic experiences that affect their relationship with others. The film will center on two prisoners serving time at Waxter, a Maryland juvenile detention center, after committing violent crimes. Gender Roles In The Film Girlhood. Oprah later told her she was the first person she had interviewed who had ever walked out on her. She was the first person she had no time to supervise and spend most time Shanae. Security facility before her mother, this meant that she is wary of strangers ( Garbus 2003... 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