Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. For more information, call (607) 2556464 or send an e-mail to museum@cornell.edu, Visit our Facebook page Hendrick Goltzius (15581617). In Heilbrunn Timeline of Art History. In the next century, while the difficult craft of engraving would still be practiced by professionals as a means of reproducing the artwork of others, the most talented artists would turn to the more easily mastered technique of etching. Publications Among the ancient sculptures that Goltzius studied in Rome was the Farnese Hercules, which Goltzius treated unorthodoxly from the rear to give full play to his mastery of swelling engraved lines to define and enhance the titanic back. The rediscovered statue quickly made its way into the collection of Cardinal Alessandro Farnese, grandson of Pope Paul III. Kids Brooke Shields! 70, Hercules FarneseDrie antieke beelden te Rome (series title). The WOW Report for Radio Andy! Visit The enlarged copy was made for the Baths of Caracalla in Rome (dedicated in 216 AD), where the statue was recovered in 1546,[3] and is now in the Museo Archeologico Nazionale in Naples. Born in Germany near the border of the Netherlands, Goltzius was burned in a fire as a child, an accident that permanently damaged his right hand. Log in. He was the number-one Dutch engraver of the early Baroque period, noted for his sophisticated technique and the exuberance of his compositions. The statue is shown in the 1954 film Journey to Italy along with the Farnese Bull. Supposedly, the famed Dutch printmaker traveled incognito in order to avoid social obligations that might distract from his real purpose, which was sketching and studying antique sculptures. Kim & Kris! As the burin is pushed at an acute angle over the copper printing plate, it slices and lifts a sliver of metal. More than once, the sculpture was crated and made ready for shipment to Paris before the Napoleonic regime fled Naples. By 1590, Goltzius had achieved great success throughout Europe. St. Jerome Reading in an Italian Landscape, The Circumcision (Life of the Virgin Series), Landscape with Trees and Distant View of a City, Museum Purchase made possible by the Friends of the Museum of Art, W17, Gross - MOVESCI 230 -Musculoskeletal Anatomy, Northern Renaissance and Reformation-Era Art, PAST: Works selected for the course AAS 208 / HISTART 208Introduction to African Art: 100 African Objects. In Scotland a rare copy in lead, from the first half of the eighteenth century, is sited incongruously in the central Highlands, overlooking the recently restored Hercules Garden in the grounds of Blair Castle. Badly damaged late Hellenistic Parian marble. Hendrick Goltzius, active in Haarlem, was reckoned to be among the foremost copper engravers in the Netherlands when he embarked on a journey to Italy in 159091 that led him to Rome at the end of 1590. One of the most important engravers and print publishers of his time, he is most widely known today for the Mannerist engravings that he and his workshop produced during the period between 1585 and 1589. The Met's collection of drawings and printsone of the most comprehensive and distinguished of its kind in the worldbegan with a gift of 670 works from Cornelius Vanderbilt, a Museum trustee, in 1880. The publication in 1961 of E. Reznicek's catalogue rai-sonn of Goltzius's drawings, and an article by H. Miedema in 1969, established a theory on the . [9], The statue has inspired artists such as Jeff Koons and Matthew Darbyshire to create their own versions in plaster and polystyrene, respectively. ); Plate: 41.5 30 cm (16 3/8 11 13/16 in. Colossal statue of Hercules, uncovered at the baths in Hippo Regius (Annaba), Algeria. Receive the Museums latest news and information. Goltzius translated to paper the plasticity of the muscular, marble body by drawing sweeping lines that rise and fall with his burin, creating volume by means of a lively play of light and shade. The Johnson Museum actively contributes to the intellectual life of our campus and community. [10] Their use of white materials to re-create the sculpture has been interpreted by classicist Aimee Hinds as a perpetuation of colourism in classical art.[10]. Goltzius gained no less international recognition for his paintings influenced by Titian and Rubens. Their position helps to convey the scale and physicality of the sculpture, and their attentive viewing highlights its importance. The Farnese Hercules From same collection. In myths about Heracles, killing the lion was his first task. The engraving by Goltzius, unusual for its viewpoint and its inclusion of observers, was one of a long series that had spread the fame of the statue, including one by Jacob Bos that provides the more common front view of the Hercules. His masterpiece in painting was the Dana (Los Angeles County Museum of Art). The Museum looks forward to receiving your comments. The page you're looking for doesn't want to be found. Explore the Collections contains over a million catalogue records, and over half a million images. It stood for generations in its own room at Palazzo Farnese, Rome, where the statue was surrounded by frescoed depictions of the hero's mythical feats that were created by Annibale Carracci and his studio, executed in the 1590s. Gift of Henry Walters, 1917, Accession Number: 984 The heroically-scaled Hercules is one of the most famous sculptures of antiquity,[4] and has fixed the image of the mythic hero in the European imagination. Hendrick Goltzius reached his peak as a printmaker in the mid-1590s. Engraving. [2] This original survived for over 1500 years until it was melted down by Crusaders in 1205 during the Sack of Constantinople. HENDRICK GOLTZIUS (1558-1617) The Farnese Hercules engraving, circa 1592, on laid paper, with an indistinct Fleur-de-Lys watermark, a fine, early impression, with wide margins, in very good condition, framed Plate 416 x 300 mm., Sheet 498 x 366 mm. This engraving of the giant Hercules Farnese (presently in the Naples Museum) is based on a statue Goltzius saw in Italy. On them were placed two sculptures by Diego de Pesquera, in 1574, recognizing Hercules as founder of the city, and Julius Caesar, restorer of Hspalis. He has just performed one of the last of The Twelve Labours, which is suggested by the apples of the Hesperides he holds behind his back. Upcoming (42.1 x 30.4 cm), Dutch and Flemish Artists in Rome, 1500-1600, Prints and People: A Social History of Printed Pictures, How Prints Look: Photographs with a Commentary, The Dead Saviour and the Four Evangelists, Dissension in the Church (Dissidium in Ecclesia). 1592, dated 1617 Medium: Engraving Dimensions: sheet: 16 9/16 x 11 15/16 in. South America, On View Hendrik Goltzius. The original legs, from the Borghese collection, were not reunited with the sculpture until 1787. close. Reset it, Already have an account? Australia, New Guinea, and New Zealand, Europe Hendrick Goltzius (15581617): Drawings, Prints and Paintings. (41 x 30 cm) Gift of Paul Ehrenfest, Class of 1932, and Elizabeth K. Ehrenfest 77.028.007 See Also Nadine Orenstein Dont have an account yet? A small Roman marble copy can be seen over the Museum of the Ancient Agora, Athens (see illustration). The Farnese Hercules (Italian: Ercole Farnese) is an ancient statue of Hercules, probably an enlarged copy made in the early third century AD and signed by Glykon, who is otherwise unknown; the name is Greek but he may have worked in Rome. Cornell University Remembering Acting Great, John Gielgud on His 119th Birthday. Later (in 1591) Goltzius recorded the less-common rear view, in a bravura engraving (illustration, right), which emphasizes the already exaggerated muscular form with swelling and tapering lines that flow over the contours. 17.37.59. It depicts a muscular, yet weary, Hercules leaning on his club, which has the skin of the Nemean lion draped over it. Born in Germany near the border of the Netherlands, Goltzius was burned in a fire as a child, an accident that permanently damaged his right hand. All rights reserved. His superb engravings were much sought-after in the young Dutch Republic and further afield. Initiatives, Membership Staff, Publications Asia and Pacific He used it with varying pressure to create lines that swell and taper, and which communicate form and energy. His superb engravings were much sought-after in the young Dutch Republic and further a. Hendrick Goltzius (Netherlandish, Mhlbracht 15581617 Haarlem), Date: #Engaged!? Log In. The Farnese Hercules circa 1591-1592 16th century 42.2 cm x 30.4 cm (16 5/8 in. F and inscribed in ancient Greek bronze 34.5cm., 13in. Sign Up We continue to research and examine historical and cultural context for objects in The Met collection. Hendrick Goltzius reached his peak as a printmaker in the mid-1590s. The statue was purchased soon after its discovery by Cardinal Alessandro Farnese and displayed in the family's residence in Rome, the Farnese Palace, until the late eighteenth century. Admission for everyone is always free! Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded. Please take a moment to fill your information to create your account. Upcoming Leaning on his knobby club which is draped with the pelt of the Nemean lion, he holds the apples of the Hesperides, but conceals them behind his back cradled in his right hand. Read our full, Please indicate that you accept all terms to proceed, Alternatively search more than 1.25 million objects from the. Prints, Credit Line: It was Goltzius' poor health as well as his desire to see the treasures of Rome that inspired him to travel to Italy in 159091. Herbert F. Johnson Museum of Art The Farnese Hercules shows to excellent advantage the virtuosic technique that Goltzius had developed, in which the swelling and tapering line pioneered by Cornelis Cort is exaggerated to the point that it becomes a focus of interest in itself. Orenstein, Nadine. known: the Farnese Hercules , the Commodus Imperator and the Apollo Belvedere .6 Until the second half of this century Goltzius's stud-ies after the antique received little scholarly attention. Citation Thompson, Wendy. Web Accessibility Assistance, 2023 Herbert F. Johnson Museum of Art, Cornell University. The sharply defined quality of line engraving is produced with a tool called a burin, which consists of a steel rod with a sharpened point and bevelled edge. In later drawings and prints, Goltzius repeatedly tried to outdo earlier masters like Albrecht Drer by creating new works in their techniques and styles. A replica, titled Herakles in Ithaca, was erected in 1989 on the campus of Cornell University in Ithaca, NY. Glykon, whether working in Rome or Athens, is not otherwise known. Goltzius' fame was such that when he went to Italy in 1590, he travelled incognito to avoid admirers. Hercules en Deanira From related movement. "The items in the collection were acquired or requisitioned by Cardinal Alessandro Farnese, who became Pope Paul III (1534 - 1549)."* It forms a series with two other engravings of the Apollo Belvedere and the Emperor Commodus as Hercules. [5] Goethe, in his Italian Journey, recounts his differing impressions upon seeing the Hercules with each set of legs, however, marvelling at the clear superiority of the original ones. All Broken headless torso of 2nd or 3rd century AD, in Museum of Saint-Raymond in Toulouse. When Goltzius drew the statue, the legs he saw were substitutions that had been made by Guglielmo della Porta in 1560although the ancient legs had been found soon after the rest of the statue, Michelangelo convinced the Farnese that the modern ones were just as good.The two figures looking up at the massive statue in the lower right corner of the engraving have never been satisfactorily identified. [6] Napoleon remarked to Antonio Canova that its omission from the museum he accumulated in Paris was the most important gap in the collection. Goltzius and his students and followers represent the last heroic age of engraving. Goltzius studied these statues and evidently prepared the engravings during a visit to Italy in 1590/91. Europe Use your arrow keys to navigate the tabs below, and your tab key to choose an item, Title: Goltzius (1558-1617), was a German-born Dutch printmaker, draftsman, and painter. He also created extraordinary colored chalk portraits of contemporary artists such as Pietro Francavilla (Rijksmuseum, Amsterdam). His superb engravings were much sought-after in the young Dutch Republic and further a. Goltzius had a deformed right hand, the result of injury from a fire when . Van Mander was referring to Goltzius chameleon-like ability to create original works in the styles of earlier masters. The first was a copy of the Farnese Hercules, nearly the monumental size of the original. Goltziuss engraving shows the victorious, virtuous hero of Greek mythology from behind so that we do not see the club in front of the rock, though we do espy the hide of the Nemean Lion and, in his right hand, the three apples of the Hesperides. sheet: 16 9/16 x 11 15/16 in. The prominently sited statue was well liked by the Ancient Romans, and copies have been found in Roman palaces and gymnasiums: another, coarser copy stood in the courtyard of Palazzo Farnese; one with the feigned (but probably ancient) inscription "Lykippos" has stood in the court of Palazzo Pitti, Florence, since the sixteenth century. When Goltzius drew the statue, the legs he saw were substitutions that had been made by Guglielmo della Porta in 1560although the ancient legs had been found soon after the rest of the statue, Michelangelo convinced the Farnese that the modern ones were just as good. Does this record contain inaccurate information or language that you feel we should improve or change? sheet: 16 9/16 x 11 15/16 in. Supposedly, the famed Dutch printmaker traveled incognito in order to avoid social obligations that might distract from his real purpose, which was sketching and studying antique sculptures. Headless statue at Izmit Archaeology and Ethnography Museum. (42.1 x 30.4 cm), Classification: Asia and Pacific Forgot your password? Visit our YouTube page Hendrick Goltzius (15581617). In, The Challenge of the Pierides, from Ovid's Metamorphosis (Book V: 294-678), The Feast of the Gods at the Marriage of Cupid and Psyche, The Fall of Phaeton, from Ovid's "Metamorphoses", Northern Mannerism in the Early Sixteenth Century, Prague during the Rule of Rudolf II (15831612), Burgundian Netherlands: Court Life and Patronage, Dutch and Flemish Artists in Rome, 15001600, The Holy Roman Empire and the Habsburgs, 14001600, Mannerism: Bronzino (15031572) and his Contemporaries, Peter Paul Rubens (15771640) and Anthony van Dyck (15991641): Paintings, Peter Paul Rubens (15771640) and Anthony van Dyck (15991641): Works on Paper, Poets, Lovers, and Heroes in Italian Mythological Prints, The Printed Image in the West: History and Techniques. Goltzius, Hendrik (engraver (printmaker)). The type was well known in antiquity, and among many other versions a Hellenistic or Roman bronze reduction, found at Foligno is in the Muse du Louvre. Help the Johnson Museum continue its legacy by making a gift today. (https://www.metmuseum.org/art/collection/search/343588). Condition report Provenance With Tomasso Brothers, Leeds and London; From whom acquired by Karsten Schubert Ltd Catalogue note The Farnese Hercules was first recorded at the Palazzo Farnese by Aldrovandi in 1556. Forgot your password? Please take a moment to fill your information and confirm your subscription. It was Goltzius' poor health as well as his desire to see the treasures of Rome that inspired him to travel to Italy in 159091. ): Drawings, Prints and paintings some of our records may contain offensive and discriminatory language or! Shown in the mid-1590s australia, New Guinea, and over half a catalogue... Broken headless torso of 2nd or 3rd century AD, in Museum of Saint-Raymond Toulouse! In Museum of Art ) incognito to avoid admirers once, the was... 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